Delhi Crime — Season 03
2025 · Series · Netflix
Street Tales role · Post-Production
View Project
Est. 2024 · Mumbai · Films · Series · Shows
StreetTalesProductions.
From concept writing to final finishing — we build films, series and shows as a single continuous idea.
Films · Series · Shows · Production · Post
Scroll
The Reel
Street Tales Showreel.
Stories, craft and the journey from concept to final frame — a rolling selection from the projects we have shaped.
Selected Work
Films. Series.
Stories.
A working index of films and series our founders have shaped — streaming originals, festival features and long-form theatrical work.
View all work
Delhi Crime — Season 02
2022 · Series · Netflix
Street Tales role · Post-Production
View Project
Boong
2024 · Film · BAFTA-honoured
Street Tales role · Post-Production
View Project
Kaala Paani
2023 · Series · Netflix
Street Tales role · Script Supervisor · Showrunner's Creative Associate
View Project
Gulmohar
2023 · Film · Disney+ Hotstar
Street Tales role · Post-Production
View Project
Jaadugar
2022 · Film · Netflix
Street Tales role · Script Supervisor · Director's Assistant
View Project
Stories we’ve helped bring to life
Made with the platforms that shape the medium.
Netflix·
Prime Video·
Disney+ Hotstar·
ZEE5·
MX Player·
SonyLIV·
BAFTA-honoured·
Netflix·
Prime Video·
Disney+ Hotstar·
ZEE5·
MX Player·
SonyLIV·
BAFTA-honoured·
The Philosophy
One continuous idea.
From concept writing to final finishing — we build films, series and shows as a single continuous idea. Six stages, one creative journey, one finished work.
01
Concept
The germ of an idea, examined until it can carry the weight of a season.
02
Writing
Screenplays, series bibles, scene-by-scene breakdowns.
03
Development
Pitch materials, packaging, decks. Turning a green idea into a green light.
04
Production
On-set continuity, script supervision, showrunner support, second-unit direction.
05
Post
Assembly, offline, VFX supervision, sound design — orchestrated end-to-end.
06
Final Finishing
Online editing, DI, mastering and delivery. Where the film becomes itself.
One idea → one creative journey → one finished work.
Capabilities
What we do.
Four capability tracks, one continuous team. Every service we offer is a service our founders have actually shipped on a working set.
01
Story
- Concept Development
- Writing
- Story Development
- Series Development
- Pitch Development
02
Development
- Screenplays
- Series Bibles
- Creative Development
- Pitch Materials
- Packaging
03
Production
- Creative Production
- Production Management
- AD Support
- Script Supervision
- Line Production
04
Post & Finishing
- Editorial
- Finishing
- Colour
- Online
- Post Supervision
The Difference
Why Street Tales.
01
Story-First
Every project begins with an idea worth telling.
02
Continuous Craft
Writing, production and post remain connected throughout the creative journey.
03
End-to-End
From the first concept to the final finishing stage.
04
Collaborative
Creative teams, filmmakers and specialists working together.
05
Detail-Driven
Every frame matters.
The People
The people
behind the stories.
Two founders, one writer, one continuous conversation about what makes a scene worth watching. This is the room every project passes through.
Meet the team
01 · Co-founder · Production & Post
Rajesh Kumar Yadav
“Finishing is where a film finally learns what it was always trying to say.”
Fifteen years across production and post — from online-edit rooms of Bhaag Milkha Bhaag, Bombay Velvet and Sacred Games to post-production on Serious Men, Delhi Crime, Aranyak, Gulmohar and House of Secrets: The Burari Deaths. In 2024, part of the team behind Boong — the first Indian film to receive a BAFTA honour.
Delhi Crime · Boong · Sacred Games · Mirzapur · Serious Men
02 · Co-founder · Filmmaker
Krishna Pandey
“Continuity is grammar. When the grammar disappears, the story can breathe.”
Script Supervisor, Showrunner's Creative Associate and Director's Assistant on Netflix's Kaala Paani. Script Supervisor on Jaadugar, Amreen and Full Plate. Creative Head on Cartel (MX Player / ALT Balaji) and Coldd Lassi Aur Chicken Masala. Directed the music video Haapus Ke Aam (2025).
Kaala Paani · Jaadugar · Amreen · Cartel · Haapus Ke Aam
The Writers’ Room
Writer
Atif Mohammad Aziz
Screenwriter, assistant director and producer. Writer on Atisundar (2018), Third Assistant Director on Ram Madhvani's Aarya (Hotstar, 2020–2021), and Associate Producer on Haapus Ke Aam (2025).
Atisundar · Aarya · Haapus Ke Aam
The Journal
Field notes
from the cutting room.
Occasional writing on story-craft, post-craft and the invisible work that holds a scene together — by the founders and their collaborators.
Manifesto · Aug 2026
From Concept to Final Frame — Our Philosophy
The Street Tales pipeline treats every project as a single continuous idea, from the first blank page to the last colour pass.
By Rajesh Kumar Yadav
Field Notes · Jul 2026
Notes from the Set of Kaala Paani
What a survival drama on a fictional Andaman archipelago taught us about continuity, restraint, and the invisible hand of a script supervisor.
By Krishna Pandey
Journal · Jul 2026
Boong, BAFTA and the Long Road Home
Being part of the first Indian film honoured by BAFTA taught us to build workflows that are as global as our storytelling ambitions.
By Rajesh Kumar Yadav